Original WHITE LABEL STEREO PROMO issue of the classic Rolling Stones album, in the famous zipper-sleeve made after a design by Andy Warhol; one of the landmarks in the history of pop album sleeve design.
Promo copies all came with a promo sticker on the front, a lips-and-tongue-logo-sticker with track-listing on the back.
This rare item has been finely SIGNED BY ANDY WARHOL in black feltpen on the front.
Good copy, with innersleeve, showing the usual light damage (nothing severe) to the vulnerable die cut front, some heavier imperfections to the spine.
Ignoring the utterly rare MONO promo issue, this is as CLOSE as one can get to Warhol’s original Sticky Fingers art work.
Back of a copy of a US reissue of the famous 1971 Sticky Fingers album sleeve, boldly SIGNED BY ANDY WARHOL in black feltpen.
The back has been neatly cut loose from the album sleeve, it shows only a few minor traces of wear.
Added is a fine copy of the actual album in its complete glory.
Page from the 1978 book “Andy Warhol, Ein Buch zur Ausstellung im Kunsthaus Zürich”, showing a black and white reproduction of the prototype of one of the famous MICK JAGGER portraits, issued as part of a suite of 10 silkscreen in 1975 (Schellmann II.143).
The page has been finely SIGNED BY ANDY WARHOL in black feltpen.
Issue of Andy Warhol's Interview magazine, with a cover showing a (hardly recognizable) portrait of MICK JAGGER, painted by Richard Bernstein.
Cover SIGNED BY ANDY WARHOL in black feltpen.
Some damage to the left hand side of the front.
1984 re-edition of the classic Stones single Brown Sugar, a song taken from the 1971 Sticky Fingers album.
The design of the shaped picture disc is based on the Andy Warhol's artwork for the album.
The front of the disc has been boldly SIGNED BY ANDY WARHOL in black feltpen.
Postcard, issued in Cologne, Germany, reproducing - in true typeface - some lines from an interview with Andy Warhol as published in the 1967 Index Book.
The card has been BOLDLY SIGNED BY ANDY WARHOL in black feltpen.
Xerox of the print documentation, made out to Freidenreich Contemporary Art, Irvine, California, showing some interesting details concerning the printing process of Warhol's silkscreen JANE FONDA (Schellmann 268).
The xerox, roughly cut along the right hand side, has been boldy SIGNED BY ANDY WARHOL in brown feltpen.
This sheet belonged to Rupert Jasen Smith, the printer of the Jane Fonda screenprint and many other Warhol works.
NB: Also shows the xeroxed signatures of the artist and Denny Freidenreich, a politician who came up with the idea for the production of the print, which was sold as a fund-raiser for Democratic politician Tom Hayden, Jane Fonda's husband at the time.
Fine ORIGINAL SKETCH BY ANDY WARHOL, executed in graphite on a sheet of ruled paper, ca. 32 x 20 cm, boldly SIGNED BY THE ARTIST.
The sketch roughly but accurately depicts an unlabeled Campbell's soup can.
This is one of a number of sketches made by Warhol during the pre-opening of an exhibition at the Louisiana Museum of Modern Art, Humlebaek, Denmark, November 1978.
A superb drawing on a nice and clean sheet
Fine ORIGINAL SKETCH BY ANDY WARHOL, executed in graphite on a sheet of ruled paper, ca. 32 x 20 cm, boldly SIGNED BY THE ARTIST.
The sketch roughly but accurately depicts two unlabeled Campbell's soup cans.
This is one of a number of sketches made by Warhol during the pre-opening of an exhibition at the Louisiana Museum of Modern Art, Humlebaek, Denmark, November 1978.
Damage to the right hand side of the sheet, as it has been crudely torn out of the sketchbook it was made in, but still great
Fine ORIGINAL SKETCH BY ANDY WARHOL, executed in graphite on a sheet of ruled paper, originally ca. 32 x 20 cm, boldly SIGNED BY THE ARTIST.
The sketch roughly but accurately depicts a Campbell soup can labelled TOMATO SOUP.
This is one of a number of sketches made by Warhol during the pre-opening of an exhibition at the Louisiana Museum of Modern Art, Humlebaek, Denmark, November 1978.
The sheet has been damaged; the lower 9 cm's are missing, just affecting the lower parts of the drawing. Still a charming piece.
Extensive work on the Beatles, issued with a striking dustjacket printed after a design by Andy Warhol, showing colourful images of each of the Beatles, based on photographs by Dezo Hofmann.
The dustjacket of this copy has been SIGNED BY ANDY WARHOL in black feltpen on the back flap, right above George Harrison's portrait.
N.B.: The relation between Warhol and the Rolling Stones is widely known (cover designs for Sticky Fingers and Love You Live; the Mick Jagger screenprints etc. etc.), however, there hardly seems to be any relation between Warhol and the Beatles. This fine jacket design (see Schellmann IIIB.5a/b) is one of the rare examples of the combination Beatles/Warhol.
Posthumously released collection of alternate versions and outtakes, in a fine sleeve showing a portrait of John Lennon by Warhol, based on a 1971 photograph by Iain MacMillan.
Superb copy, with a tiny "cut out" in the right hand upper corner, VERY BOLDLY SIGNED by ANDY WARHOL in black feltpen, vertically in the middle of the portrait.
12-page promotional brochure for the German release of TRASH, a film produced by Andy Warhol and directed by Paul Morrissey.
Cover, showing an image of JOE DALLESANDRO, the star of the movie, has been VERY BOLDLY SIGNED BY ANDY WARHOL.
Announcement for TEN PORTRAITS OF JEWS OF THE 20TH CENTURY, a series of 10 silkscreens issued by Ronald Feldman, New York and Jonathan A. Editions, Tel Aviv, in 1980 (Schellmann II.226/235) reproducing a portrait of French actress SARAH BERNHARDT.
Finely SIGNED BY ANDY WARHOL in black feltpen.
Fine poster printed on thin brownish paper, showing a very early Warhol drawing of a James Dean-like figure and the text: A Picture Show by the Artist Andy Warhol.
This vulnerable poster has been delicately SIGNED BY ANDY WARHOL in black feltpen in the lower right corner.
Crisp and clean copy, small closed tear in the upper margin, traces of former framing on the back.
NB: The design of this exhibition poster was based on a very early poster on gold paper, self-designed and self-published by Warhol in 1956/57 in order to promote his early book production A Gold Book.
(ANDY WARHOL) Rainer Crone - ANDY WARHOL, a Picture Show by the Artist: the Early Work 1942/1962 - New York, Rizzoli, 1987 - or. cloth with dustjacket – 4to – 120 euro
English language edition of this important and profusely illustrated work, first published in the German language in 1976 as Das Zeichnerische Werk, 1942-1975.
Fine copy, with minor traces of handling.
Page from the book A Picture Show by the Artist: Andy Warhol, the Early Work 1942-1962 by Rainer Crone (New York, Rizzoli, 1987), reproducing one of the pages of FROM THE BOTTOM OF MY GARDEN, a very early book by Warhol issued in 1955.
Finely SIGNED BY ANDY WARHOL in black feltpen.
Page from the book A Picture Show by the artist: Andy Warhol, the Early Work 1942-1962 by Rainer Crone (New York, Rizzoli, 1987), reproducing one of the pages of FROM THE BOTTOM OF MY GARDEN, a very early book by Warhol issued in 1955.
Finely SIGNED BY ANDY WARHOL in black feltpen.
Page from the book A Picture Show by the artist: Andy Warhol, the Early Work 1942-1962 by Rainer Crone (New York, Rizzoli, 1987), reproducing one of the pages of FROM THE BOTTOM OF MY GARDEN, a very early book by Warhol issued in 1955.
Finely SIGNED BY ANDY WARHOL in black feltpen.
NB: The text underneath the image reads: Do you see my little pussy...
Announcement, issued by Schellmann and Klüser, Munich, in 1980, for SHOES, a series of 5 silkscreens (Schellmann 11.253/257), self published by Andy Warhol in 1980.
The card, which shows some severe damage and creasing, has been very boldly SIGNED BY ANDY WARHOL in black feltpen on the back.
1978 Japanese reissue of the Velvet Underground classic first album, first issued in 1967, faithfully reproducing the original (second state) gatefold sleeve by Andy Warhol, peelable banana included.
This mint unpeeled copy, complete with the original obi, has been delicately SIGNED BY ANDY WARHOL in black felt tip pen on the front.
Swedish catalogue, with reproductions in black and white of classic album covers by The VELVET UNDERGROUND, David Bowie, The Rolling Stones, The Beatles, Led Zeppelin and others.
The front cover, which reproduces the Andy Warhol designed BANANA, as featured on the cover of the legendary 1967 VELVET UNDERGROUND & NICO album, has been boldly SIGNED BY ANDY WARHOL in black feltpen.
Book block loose, damage to the back of the wrappers.
Gatefolding illustration, formerly affixed to one of the pages of an edition of the book Kunst der Sechziger Jahre: Der Sammlung Ludwig (Cologne, Wallraf / Richartz Museum, ca. 1970).
The plate reproduces two portraits of Salvatore V, from Warhol's 13 Most Wanted Men; a series from 1964.
SIGNED BY ANDY WARHOL in black feltpen.
The piece can be displayed two ways: folded as well as unfolded; your frame maker's choice.
August 1977 issue of US cult magazine High Times, containing the article The Coca Cola Conspiracy as well as an extensive interview with ANDY WARHOL.
The cover, showing an image of Warhol leaning on a giant size Coca Cola bottle, has been boldly SIGNED BY ANDY WARHOL in black feltpen.
December 1978 issue of US cult magazine High Times.
The cover, showing an image of Andy Warhol dressed as Santa Claus and a "young" Truman Capote, has been boldly SIGNED BY ANDY WARHOL in black feltpen.
Comes with quite some staining on the front and the back.
White label PROMO copy containing 4 tracks from the Love You Live album in a sleeve showing 4 black and white shots by Andy Warhol of biting members of the Rolling Stones.
Picture disc containing 4 tracks from the Love You Live album, showing 4 black and white shots by Andy Warhol of biting members of the Rolling Stones.
Rare, but most probably a bootleg.
Fine black and white photographs by ANDY WARHOL, distributed to promote the 1977 Rolling Stones Love You Live album.
The image, depicting Bill Wyman, has actually been used for the design of the album cover.
SIGNED BY BILL WYMAN in black feltpen.
ANDY WARHOL - promo photograph for the Rolling Stones Love You Live album - Rolling Stones Records Atlantic Records USA, 1977 - 20 x 25 cm - 160 euro
Fine black and white photographs by ANDY WARHOL, distributed to promote the 1977 Rolling Stones Love You Live album.
The image, depicting Ronnie Wood, has actually been used for the design of the album cover.
SIGNED BY RONNIE WOOD in blue feltpen.
Offset poster, announcing the exhibition Bilder 1961 bis 1981, at the Hannover Kestner Gesellschaft, 1981, reproducing a portrait of GRETA GARBO as Mata Hari, an image based on a still from a 1931 movie, issued as one of the silkscreens in the artist's famous MYTHS portfolio (Schellmann II.256/276).
This fine poster has been finely SIGNED BY ANDY WARHOL in black feltpen in the image.
Original 1982 instore display for fashion designer Halston, beautifully SILKSCREENED on heavy paper by Rupert Jasen Smith, using flat and glossy inks.
The sheet has been VERY BOLDLY SIGNED BY ANDY WARHOL in black feltpen.
Schellmann (IIIB 9-12) lists this image as advertisement for the Interview magazine (one out of a series of 4), but NOT as a silkscreen!
Rare, clean and crisp.
Printed card, being Cologne artdealer Rudof Zwirner's "Einladung zur Subskription" for a series of silkscreens titled 10 ELECTRIC CHAIRS.
Delicately SIGNED BY ANDY WARHOL in black ink (contemporary signature!).
The series was eventually published in 1971 as ELECTRIC CHAIR 1971 [Schellmann II74/83] by Bruno Bischofberger, Zürich.
NB: Warhol cooperated with Zwirner in 1967; this might be a token of an earlier attempt to publish the series.
The front cover only of the cute Andy Warhol's Children's Book, printed (like the rest of the book) on very heavy cardboard.
SIGNED TWICE BY ANDY WARHOL in black feltpen.
We add a COMPLETE unsigned copy of this cute - and now quite rare - little book.
Finely illustrated publication, issued on occasion of a traveling 1970 exhibition.
The cover, showing a fine portrait of the artists has been SIGNED BY ANDY WARHOL in black feltpen.
Damage to the upper part of the spine, half title removed, but the loosely added folding catalogue part still present.
Set of four announcement for COLOGNE CATHEDRAL, a series of 4 silkscreens issued by Hermann Wünsche, Germany, in 1985 (Schellmann 11.361/364).
One of the announcements has been superbly SIGNED TWICE BY ANDY WARHOL in black feltpen.
Complete set, loose, as issued, in illustrated wrappers.
A small plain white unused envelope, which has been boldly SIGNED BY ANDY WARHOL in thin black feltpen.
A fine piece, some traces of former framing on the back.
Fine original poster advertising a benefit party and exhibition organised and curated by Keith Haring in 1985 for UNICEF’s African Emergency Relief Fund.
The poster shows an exclusively design executed by a combination of five great artists: Keith Haring, Roy Lichtenstein, Yoko Ono, Jean Michel Basquiat and Andy Warhol.
Supposedly 100 copies were issued signed by all five, this copy has “just” been SIGNED BY ANDY WARHOL, vertically along the right hand side, right next to one of his umbrellas.
Catalogue issued on occasion of an exhibition of Warhol's folk art collection at the Museum of American Folk Art, New York, with descriptions of various items with illustrations in black and white, as well as an essay on Warhol as a collector.
Wrappers, showing a fine image of the artist by Harry Shunk, SIGNED BY ANDY WARHOL in black feltpen.
Poster announcing the 1982 Emotion in Motion album by US melodic hardrocker Billy Squier, showing the image Warhol created for the front of the album cover (cf. Schellmann IIIB.7a/b).
Fine unfolded copy, boldly SIGNED BY ANDY WARHOL in black feltpen in the left hand upper corner.
ANDY WARHOL - Billy Squier's Emotions in Motion promo poster - 1982 - 90 x 90 cm - 590 euro
As above.
Similar but larger sized poster, 90 x 90 cm, with different lettering, also SIGNED BY ANDY WARHOL in black feltpen.
Original Polaroid photograph of Fiesta Pig, a single Warhol print from 1979 (Schellmann II.184).
This Polaroid has been finely SIGNED BY ANDY WARHOL in black marker.
NB: Picture NOT taken by Warhol but by a third person who obtained the signature in 1983.
Portrait of ex-Supremes singer Diana Ross, originally the front of the sleeve of her 1982 album SILK ELECTRIC.
The plate - cut loose from the gatefold sleeve - has been boldy SIGNED BY ANDY WARHOL in black feltpen.
NB: Nice, but with some surface damage in the left hand upper part, slight “peeling damage” to the transparent title sticker.
Portrait of ex-Supremes singer Diana Ross, originally part of the innerspread of the gatefold sleeve of her 1982 album SILK ELECTRIC.
The plate - cut loose from the sleeve - has been boldy SIGNED BY DIANA ROSS in blue feltpen.
8 page booklet comprising the lyrics and the score for MUSCLES, a song written by Michael Jackson, as featured on the 1982 album Silk Electric by Diana Ross,.
The front shows a cut from the Silk Electric album cover, which was designed by Andy Warhol.
This fine image has been boldly SIGNED BY ANDY WARHOL in black feltpen.
Nice copy, with some minor traces of handling.
Postcard reproducing the 1962 watercolour Big Coffee, finely SIGNED BY ANDY WARHOL in black feltpen.
Page from the catalogue The American Indian, issued by the Geneva Musée d'Art et d'Histoire in 1977, showing a painting Warhol made of Russell Means, actor and activist for the rights of American Indians.
The page has been very boldly SIGNED BY ANDY WARHOL in black feltpen.
Page from the catalogue The American Indian, issued by the Geneva Musée d'Art et d'Histoire in 1977, showing a black and white reproduction of a painting of Russell Means, actor and activist for the rights of American Indians.
The page has been boldly SIGNED BY ANDY WARHOL and shows some ADDITIONAL ARTWORK BY ANDY WARHOL, done in black feltpen.
This page has also been SIGNED BY RUSSELL MEANS, Warhol added his INITIALS "AW".
Page from the catalogue The American Indian, issued by the Geneva Musée d'Art et d'Histoire in 1977, showing a portrait of Russell Means, actor and activist for the rights of American Indians.
The page has been boldly SIGNED BY ANDY WARHOL in black feltpen.
Issue of Andy Warhol's Interview magazine, with a cover showing a fine portrait of singer OLIVIA NEWTON JOHN, painted by Richard Bernstein.
Cover SIGNED BY ANDY WARHOL in black feltpen.
Issue of Andy warhol's Interview magazine, with a cover showing a portrait of actress/singer PATTI LUPONE, painted by Richard Bernstein.
Cover SIGNED BY ANDY WARHOL in black feltpen.
Part of the cover of the December 1982 issue of Andy Warhol's Interview magazine, originally showing a portrait of CALVIN KLEIN, painted by Richard Bernstein.
The cover, which has been SIGNED BY ANDY WARHOL in black feltpen, has been reduced to a scrap this size.
Striking, though...
Rather bumpy copy of an issue of the magazine Forum, containing an interview with Andy Warhol.
The cover, showing an image of Warhol with a lady wearing a T-shirt with the text ANDY WARHOL IS A VIRGIN, has been SIGNED BY ANDY WARHOL.
Page from the catalogue SPACE FRUIT, issued by Grippi/Zivian, Inc. New York, reproducing one of a series of 6 Space Fruit silkscreens (Schellmann 11.198/203): Cantaloupe I.
Finely SIGNED BY ANDY WARHOL in black feltpen.
Page from the catalogue SPACE FRUIT, issued by Grippi/Zivian, Inc. New York, reproducing one of a series of 6 Space Fruit silkscreens (Schellmann 11.198/203): Cantaloupe II.
Finely SIGNED BY ANDY WARHOL in black feltpen.
Page from the catalogue SPACE FRUIT, issued by Grippi/Zivian, Inc. New York, reproducing one of a series of 6 Space Fruit silkscreens (Schellmann 11.198/203): Peaches.
Finely SIGNED BY ANDY WARHOL in black feltpen.
Black and white photographs by Andy Warhol with extensive texts by the artist.
Copy SIGNED TWICE (TWICE!!) BY ANDY WARHOL in black feltpen: on the cover as well as on the page the contents page.
Fine copy, cover with a crease in the right hand upper corner.
Original lobbycard showing a still from DRACULA (actually Blood for Dracula), a 1974 Andy Warhol film directed by Paul Morrissey.
This lobby card - which comes with some severe creasing - has been boldly SIGNED BY ANDY WARHOL in black feltpen.
A few more of these cards - all equaly gruesome - available.
Original lobbycard showing a still from DRACULA (actually Blood for Dracula), a 1974 Andy Warhol film directed by Paul Morrissey.
This lobby card - which comes with some severe creasing - has been boldly SIGNED BY ANDY WARHOL in black feltpen.
A few more of these cards - all equaly gruesome - available.
Special Andy Warhol issue, guest edited by Gerard Malanga, finely designed in the vein of Fluxus by George Maciunas.
A close to mint copy of a rare issue.
Finely produced publication, issued on occasion of the opening of the Andy Warhol Museum in Pittsburg.
With an audio CD, narrated by John Giorno, attached to the front cover.
Published on occasion of an exhibition; there were 200 signed deluxe copies, bound in black embossed cloth, housed in a pictorial slipcase.
This copy in the deluxe binding, but not numbered and not signed.
Some damage to the slipcase, otherwise fine.
Front cover only (no magazine) of the monthly Art in America, May 1980, reproducing the famous image of singer LIZA MINNELLI by Andy Warhol, which was completed in 1979.
The sheet has been boldly SIGNED BY ANDY WARHOL in black feltpen, in the image.
Image size: 17,5 x 17,5 inches, with a slightly disturbing part of the barcode in the left hand lower corner.
Rather uncommon 1964 recording by performer / songwriter John Wallowitch.
The front of the sleeve shows a repetition of b/w photographs by ANDY WARHOL, resembling his famous photo-booth images.
Good copy (some damage along the edges) of a rare record in a brilliant early Warhol sleeve.
Recording issued in a book-like hardcover sleeve, containing a 16 page booklet with photographs and texts, as well as a number of very delicate drawings by a young ANDY WARHOL.
A surprisingly fresh and clean copy of this utterly vulnerable record, the record itself seems to be unplayed.
Fine album by ex-Velvet Underground founding member John Cale in a superb sleeve executed after a design by Andy Warhol, the front showing a number of die-cut slide frames, revealing a number of photographs printed on the inside of the sleeve.
A fine copy of this vulnerable and inventively designed sleeve.
German pressing of John Cale’s 8th solo album, in a sleeve printed after a design by Andy Warhol.
This is the second Warhol-designed Cale album, the fourth if one counts the two he did for the Velvet Underground, Cale’s former band.
Piece of white paper, ca. 20,5 x 6,5 cm, neatly cut from a bookpage, showing ANDY WARHOL’S SIGNATURE in black feltpen.
A delicate and strong signature from the mid 1980’s, very suitable for framing along with one of Warhol’s iconic images.
NB: The illustration above is a framing suggestion only.
Scrap of roughly cut yellow stock, ca. 15 x 5 cm, showing ANDY WARHOL’S SIGNATURE in black feltpen.
A rather hastily done but still fine autograph from the mid 1980’s, very suitable for framing along with one of Warhol’s iconic images.
NB: The illustration above is a framing suggestion only.
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