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andy warhol |
CURRENTLY
IN STOCK (please feel free to ask for further details):
Postcard issued in Cologne, Germany, in the 1980's reproducing the first lines of an interview with Andy Warhol, as published in this typeface in the famous Andy Warhol Index Book, 1967.
This fine card has been BOLDLY SIGNED BY ANDY WARHOL in black feltpen.
NB: The interview mentioned was initially done by a New York schoolboy who had it published in his high-school newspaper in 1966.
This quote (in a similar type setting) was also used for the design of a poster announcing an exhibition in the Moderna Museet, Stockholm, opening early 1968.
One out of a set of 10 announcements for MYTHS, a series of 10 silkscreens issued in 1981 by Ronald Feldman Fine Arts, New York.
This great portfolio comprises images of Superman, Howdy Doody, Dracula, Greta Garbo, Santa Claus, Mickey Mouse and others.
Pictured here is UNCLE SAM (= James Mahoney photographed by Andy Warhol, make up and costume by Jac Colello), the plate reproduces the silkscreen in offset lithography in reduced size (17 x 17 cm) and has been boldly SIGNED BY ANDY WARHOL in black feltpen.
A wonderful piece of classic Americana.
See Schellmann II. 258/267.
Copy of the first edition of the French translation of The Philosophy of Andy Warhol: from A to B and back again, first published two years earlier.
The first blank page shows an ORIGINAL SKETCH in black feltpen, roughly but accurately depicting one of the artist's most iconic images, a Campbell's soupcan, SIGNED BY ANDY WARHOL.
The top of the page shows a short dedication to the former owner (not visible above, please click HERE for a full image of the page): a well known Flemish/Dutch actor, who acquired the piece during a signing session held on occasion of an exhibition at Guy Debruyn's Gallery D., Brussels, Belgium, May 26 1977.
The book has not been preserved too well (front of cover dog-eared, cellophane partly loosening, edges somewhat soiled) but the dedication page with the charming drawing (sheet size 20 x 14 cm, image size 16 x 14 cm) is still in clean and bright condition.
Offset poster reproducing Warhol's silkscreen REBEL WITHOUT A CAUSE (JAMES DEAN), the design of which was based on a 1955 Japanese movie poster, as issued as one of the prints in the portfolio ADS 1985.
Beautifully SIGNED BY ANDY WARHOL in black feltpen, vertically along the bottom right hand side.
See Schellmann II.350/359.
Please note: As most probably issued as a supplement in a magazine, this vulnerable thin paper sheet comes folded multiple times, the folds show traces of wear.
Invitation for the reception and first showing of Andy Warhol’s silkscreened Portrait of JANE FONDA at Castelli Graphics, New York, November 1982.
The card, printed on heavy matt off-white paper, has been SIGNED BY ANDY WARHOL in black feltpen.
The work announced was printed by Rupert Jasen Smith and issued by the Friends of Tom Hayden, Santa Monica CA, as a fundraiser.
See Schellmann II.268.
ANDY WARHOL - Jane Fonda - invitation card - 1982 - ca. 11 x 16 cm - 45 euro
As above.
An unsigned copy of this stylishly printed card.
Rupert Jasen Smith's working copy of the print documentation used for the printing process of Warhol's silkscreen JANE FONDA (see annoucement above), made out by Freidenreich Contemporary Art to Andy Warhol.
The print documentation contains a number of technical (but interesting) details, like printing sequence, edition size, range of colours, number of proofs, placement of chopmark and signature, period of collaboration, etc.
The sheet has been very boldy SIGNED BY ANDY WARHOL in brown feltpen.
For a large scan of the full sheet please click HERE.
An historic piece from the workshop of RUPERT JASEN SMITH, the printer of the magnificent Jane Fonda screenprint and most of Andy Warhol's later works, in great condition although roughly cut along the right hand side,
See Schellmann II.268.
Rather bumpy copy of an issue of the magazine Forum, containing an interview with Andy Warhol.
The cover, showing an image of Warhol with a lady wearing a T-shirt with the text ANDY WARHOL IS A VIRGIN, has been SIGNED BY ANDY WARHOL in black feltpen.
Offset poster, announcing an exhibition at the Hannover Kestner Gesellschaft, 1981, reproducing a portrait of the legendary GRETA GARBO as Mata Hari, an image based on a still from a 1931 movie, as issued as one of the silkscreens in the MYTHS portfolio.
This great poster has been finely SIGNED BY ANDY WARHOL in black feltpen in the image, lower right hand side.
See Schellmann II.256/276.
As above.
The illustrations shows a close up of ANDY WARHOL'S SIGNATURE.
Gatefolding illustration, reproducing two portraits of Salvatore V[itale), formerly affixed to one of the pages of an edition of the book Kunst der Sechziger Jahre: Der Sammlung Ludwig (Cologne, Wallraf / Richartz Museum, ca. 1970).
The plate has been SIGNED BY ANDY WARHOL in black feltpen.
Salvatore V[itale] was one of Warhol's 13 MOST WANTED MEN, a controversial project of murals created for the 1964 New York World's Fair, consisting of a series of enlarged mug shots taken from a NYPD booklet featuring the 13 most wanted criminals of 1962.
As above.
The same plate, now shown folded as issued (great image!).
Superb offset print showing colourful images of each of the Beatles by Andy Warhol, who based his design on photographs by Dezo Hofmann.
This print has been SIGNED BY ANDY WARHOL in black feltpen, vertically along the left hand side.
Issued as an additional dustjacket, without title info, for initial copies of the first edition of the book The Beatles by Geoffrey Stokes (Rolling Stone Press/Times Books) in 1980.
Printed on rather thin paper, therefore with some mild imperfections.
See Schellmann IIIB.5a/b.
Reproduction of a black and white photo portrait of Andy Warhol, printed on heavy paper, boldly SIGNED BY ANDY WARHOL in black feltpen.
This portrait - formerly the front of an extensive publications by John Coplans (New York Graphic Society, 1970) - shows some traces of handling.
Book page, ca. 20 x 22 cm, showing Andy Warhol’s name printed in grey in a typeface used for a number of late 1960’s/early 1970’s publications, SIGNED TWICE BY ANDY WARHOL in black feltpen.
A great double signed item, the top of the page unfortunately slightly spoiled by traces left by a large paperclip, not affecting the autographs.
Postcard depicting a colourful Pine Barrens Tree Frog: one of the prints from Warhol’s ENDANGERED SPECIES series, issued by Ronnald Feldmann Fine Arts, NY, in 1983.
This postcard has been finely SIGNED BY ANDY WARHOL in black feltpen underneath the image.
Crisp, but with some traces of former framing on the back.
See Schellmann II.293/302.
Small but fine ORIGINAL SKETCH BY ANDY WARHOL, executed in black feltpen on the back of a STUDIO 54 invitation card, SIGNED on top and with the initialled addition “LOVE, AW”.
The front of this card shows a printed invitation to an “End of the Summer Extravaganza” to be held at the legendary New York STUDIO 54 nightclub on September 3 [1982].
From the former collection of New York gossip reporter/party promotor/author/photographer BAIRD JONES (1955-2008), added are an invitation for another event plus a fine example of a numbered golden Studio 54 VIP ticket (5 x 11,5 cm), issued in the late 1970’s/early 1980’s.
NB: The STUDIO 54 logo was designed by Gilbert Lesser. Andy Warhol, who was a frequent visitor of the club, used the design of the ticket for a privately published print, intended as a holiday gift, 1978.
See Schellmann IIIA.16.
12-page promotional brochure, 21 x 21 cm, for the German release of TRASH, a motion picture produced by Andy Warhol and directed by Paul Morrissey.
The cover, showing an image of JOE DALLESANDRO, the star of the movie, has been very boldly SIGNED BY ANDY WARHOL.
One out of a set of 10 announcements for Ten Portraits Of Jews From The Twentieth Century, a series of 10 silkscreens issued in 1980 by Ronald Feldman Fine Arts, New York, as first exhibited by the Jewish Museum, New York.
This great portfolio comprises images of Franz Kafka, Albert Einstein, Sigmund Freud, Sarah Bernardt, the Marx Brothers and others.
Pictured here is American author GERTRUDE STEIN, the plate reproduces the silkscreen in offset lithography in reduced size (18 x 14 cm) and has been boldly SIGNED BY ANDY WARHOL in black feltpen.
Cover of the folder holding the announcements and info page added.
See Schellmann II.226/235, and remember: Rose is a rose is a rose is a rose.
Original WHITE LABEL STEREO PROMO issue of the classic Rolling Stones album, in the famous zipper-sleeve made after a design by Andy Warhol; one of the landmarks in the history of pop album sleeve design.
Promo copies all came with a promo sticker on the front, a lips-and-tongue-logo-sticker with track-listing on the back.
This rare item has been finely SIGNED BY ANDY WARHOL in black feltpen on the front.
Good copy, with innersleeve, showing the usual light damage (nothing severe) to the vulnerable die cut front, some heavier imperfections to the spine.
Ignoring the utterly rare MONO promo issue, this is as CLOSE as one can get to Warhol’s original Sticky Fingers art work.
Vintage UK pressing of the album in the famous zipper-sleeve made after a design by Andy Warhol; one of the landmarks in the history of pop album sleeve design.
The following characterstics make sure this pressing was manufactured in the UK in 1971, the first year of release:
A3/B4 matrix numbers, no "promotone" on labels, small squared zipper, double sided insert, etc.
Apart from some small indentations in the sleeve and the vinyl (caused by the zipper) and some mild wrinkling in the die cut part at the top of the front of the sleeve, this album is in great conditon.
(ANDY WARHOL) ROLLING STONES - Sticky Fingers - Rolling Stones Records Germany, 1971 - 30 cm vinyl record in zipper sleeve (design: ANDY WARHOL) - 65 euro
Vintage German presssing of the album in the famous zipper-sleeve made after a design by Andy Warhol; one of the landmarks in the history of pop album sleeve design.
The following characterstics make sure this pressing was manufactured in Germany in 1971, the first year of release:
A4/B3 matrix numbers, no "promotone" on labels, large rounded zipper, double sided "TWEN" insert, etc.
Apart from some small indentations in the sleeve and the vinyl (caused by the zipper) and some very mild wrinkling in the die cut part at the top of the front of the sleeve, this album is in wonderful conditon.
(ANDY WARHOL) ROLLING STONES - Sticky Fingers - Rolling Stones Records Holland/Germany, ca. 1980 - 30 cm vinyl record in zipper sleeve (design: ANDY WARHOL) - 40 euro
Later Dutch presssing of the album in the famous zipper-sleeve made after a design by Andy Warhol; one of the landmarks in the history of pop album sleeve design.
Issued in the early 1980's in a sleeve manufactured in Germany, still with a working zipper and a similar insert.
Sleeve and vinyl in exceptionally fine condition.
Blank oblong sheet, ca. 21,5 x 27, 5 cm, from a copy of the catalogue LeRoy Neiman, Andy Warhol: An Exhibition of Sports Paintings (Los Angeles 1981), showing ANDY WARHOL’S SIGNATURE in black feltpen.
An exceptionally bold and very large (ca. 4 x 19 cm!) ORIGINAL signature from 1981, very suitable for framing with one of the artist's images (or simply for treasuring as a work of art as such).
Beautifully produced deluxe publication comprising images of 48 mainly unpublished trial proofs made for a series of 3 silkscreened portraits of Swedish moviestar Ingrid Bergman.
Printed on sturdy shiny paper and published as a leporello measuring some 12 meters (!) in length, the book comes in a very vulnerable box, screen-printed in black and bright orange, which was produced for just a small part of this fine edition.
Book and box are in more than excellent condition.
See also the 2 items underneath.
See Schellmann II.313/315.
Page from a deluxe publication issued by Galerie Bцrjeson, Malmo, Sweden, in 1983, comprising images of 48 mainly unpublished trial proofs made for a series of 3 silkscreened portraits of Ingrid Bergman, see above.
The sheet, an image based on a publicity photograph printed on sturdy shiny paper has been SIGNED BY ANDY WARHOL in black feltpen.
See Schellmann II.313/315.
Page from a deluxe publication issued by Galerie Börjeson, Malmo, Sweden, in 1983, comprising images of 48 mainly unpublished trial proofs made for a series of 3 silkscreened portraits of Ingrid Bergman, see above.
The sheet shows an image based on a still from the 1945 movie The Bells of St. Mary's printed on sturdy shiny paper and has been SIGNED BY ANDY WARHOL in black feltpen.
See Schellmann II.313/315.
1978 Japanese reissue of the Velvet Underground classic first album, first issued in 1967, faithfully reproducing the original (second state) gatefold sleeve by Andy Warhol, peelable banana included.
This mint unpeeled copy, complete with the original obi, has been delicately SIGNED BY ANDY WARHOL in black felt tip pen on the front.
Issue of Andy Warhol's Interview magazine, with a cover showing a (hardly recognizable) portrait of MICK JAGGER, painted by Richard Bernstein.
Cover SIGNED BY ANDY WARHOL in black feltpen.
Some damage to the left hand side of the front.
Issue of Andy warhol's Interview magazine, with a cover showing a portrait of American actress/singer PATTI LUPONE, painted by Richard Bernstein after a photograph by Bob Kiss.
Cover SIGNED BY ANDY WARHOL in black feltpen.
Part of the cover of the December 1982 issue of Andy Warhol's Interview magazine, originally showing a portrait of CALVIN KLEIN, painted by Richard Bernstein.
The cover, which was SIGNED BY ANDY WARHOL in black feltpen, has been reduced to a scrap sized 24 x 8 cm, containing a large (19 x 5 cm) ORIGINAL SIGNATURE.
The charming first edition of the catalogue raisonne of Andy Warhol’s prints, published at a time the artist was still alive.
A fine copy and still very useful.
1971 reissue of this great jazz album, originally issued in 1965, in a gatefold sleeve that shows a repetition of Campbell's soup cans, after a design by Joe Lebow and Chuck Stewart.
Unplayed vinyl in a very fine sleeve (drill hole in left hand lower corner), the design of which has NOTHING to do with Andy Warhol.
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